Sunday, November 6, 2011

Pink Floyd – Obscured By Clouds

This one is a difficult one to place. It came out in between Meddle and Dark Side, two of the most revered Pink Floyd albums ever. It’s a soundtrack to some hippy movie, kind of like More or Zabriskie Point. Some people say it’s a hidden gem, others say there’s a reason it’s basically ignored. While it is a great folk/rock album and has some great tracks on it the lack of a grandiose feel works against it somewhat. It is a fine collection of songs, but coming from a band who significantly changed the way the album as a work of art was viewed for a large portion of the mainstream audience it’s almost like it’s not enough.

Free Four is most certainly good enough: http://www.youtube.com/watch?v=c0gEa20Wsqg

Pink Floyd – Atom Heart Mother

This is kind of the first ‘real’ Pink Floyd albums. It tidies up some of the loose ends in the band’s sound and moves towards the cohesion of their later period. The album is kind of split into two halves, the first half is the Atom Heart Mother suite which is a rock/orchestral instrumental piece which stands as one of my favourite things the band has done. Apparently on a couple of live dates this one was expanded into a full hour performance. What’s interesting is it still sounds like a distinctive Pink Floyd record, even with the orchestra, as each musicians ‘voice’ is still an integral part of the piece.

The second side is reminiscent of the second LP of Ummagumma in that it’s built around solo compositions. If is the Waters tune, Fat Old Sun is Gilmour and Summer ’68 is Wright’s piece. The songwriting here is intentionally more polished than it was on Ummagumma (with the exception of Grantchester Meadows being better than If). Fat Old Sun became a concert staple and Summer ’68 is criminally overlooked. The piece which on paper should be my favourite thing is Alan’s Psychedelic Breakfast. I just can’t get into it. And I’ve tried for years.

Overall this is a great album, even if contrary to most other Floyd records the whole is most definitely not greater than the sum of it’s parts.

Friday, November 4, 2011

The Beatles - A Hard Days Night


A Hard Day’s Night was the soundtrack to the movie of the same name and the movie’s good and awkward J. The album was the first one they made which was all Lennon/McCartney originals, remember this is at a time where pop musicians would rarely compose. Of course I prefer the later stuff like The White Album, but this is a great pop record, probably one of the best ever made, and certainly the most consistent of the early Beatles albums.

Metallica - Load

So in the past review I mentioned that Load was the first album I ever bought with my own money. I donated it to charity, along with most of my metal collection when I went through my prog phase at about 18 and I hadn’t really listened to it for years by that point anyway. When I first got it however it must have been about all I listened to for about a year. Isn’t it funny, when you’re a kid you value your music so much more when you don’t have as much of it.

By the time I got this one I’d heard the Black Album so many times I could sing it backwards. Even when I got it I could kind of tell that this wasn’t quite as good as black but it was something new and it was Metallica and I didn’t really care about anything else. And even though it wasn’t as good as Black there was some great material on there. One thing worth mentioning is this album is long. In fact everything Metallica have done since Black has been long. This CD allegedly had stickers on it advertising that it contained 78:59 worth of music, the most they could put on a CD at that time without it causing any problems. The follow up to Black was supposed to be a double album but there were a lot of unfinished tracks and underdeveloped ideas. So they recorded them and did it again the following year.

The album has a slightly poppier/radio hard rock feel to it, resulting in the band being referred to as Alternitallica. There were serious allegations of the band selling out at this point. I can kind of sympathise with that view but I’m not as critical of it now as I was as a 15 year old male who only listened to metal. The album works for me now because I’m used to it rather than because it’s an incredible album. Virtually all the songs go on for way too long and half of them should have been dumped anyway. In fact the really surprising thing is exactly how long some of these tracks are. I remember The Outlaw Torn was a mammoth but Bleeding Me is over 8 minutes long as well, no wonder I usually lost interest at about this point when listening to the album. This track actually stands out musically but it’s tough to ignore the fact that the lyrics sound like they were made up on the spot.

Overall the tracks I like the most are the tracks that were probably written with radio in mind. My teenage self is shaking his head in disgust but those are the tracks that don’t stretch too long, they’re catchy and easy to listen to. They also have the best energy to them, all of this is a pretty tough combination to beat.

Ornette Coleman Double Quartet - Free Jazz; A Collective Improvisation

Review# 319

Jazz, weird jazz. And it's free, as free as jazz can get. It's not a bad bit of jazz... it's jazz weird.

Yoko Ono – Plastic Ono Band

Review# 318

(Yoko) Oh-no. As usual Joshs's picks for me make for interesting listening. I was a little prepared for this from routine fun making of Yoko saying “why” at work, but this is my first listen to her in all her... glory?

The first 14:92 min is in deed Yoko warbling “Why” over and over... written phonetically it would be “Whhhyyyyyiiiiiiiwwwhhyyiiyi whhiii whyyiiiyyiiy whyyyyywhhhhyyiwwwhyyy”. Its bollocks. And also imaginatively titled Why and Why Not.

AOS sounds far to close to a Yoko climax... although when she starts screeching “Ack” over and over again... well it's more than a little disturbing and more information than I care to know.

Overall, the music is boring and the vocals are irritating and sometimes sound like a boiling kettle. The best thing about the album is the reinforced desire to make fun of Yoko's vocal style. But the album itself is fucken terrible.

Bleed: http://www.youtube.com/watch?v=elNeQjTTnVo&ob=av2n

Michael Jackson – Thriller

Review# 317

Of the four Michael Jackson albums I have now waffled on about Thriller is the only one that still seems to stack up sound wise. Musically its still not very exciting but vocally its good. But then anything can stand up to the turgid tripe of History. Growing up I preferred both Bad and Dangerous to Thriller, they had more of a rock flavour where Thriller leans a bit toward funk etc. So not surprisingly my favourite tracks have always been Beat It and Wanna Be Startin' Somethin'. It is a good album as far as pop goes, though if I think about it too much then I can't take seriously a virgin singing about being a lover etc, its just weird.

Beat It: http://www.youtube.com/watch?v=Ym0hZG-zNOk&ob=av2n
Wanna Be Startin' Somethin': http://www.youtube.com/watch?v=dPTsmswQVwg